Rudolf Steiner and Annie Besant, Munich 1907 This is a stage which, broadly speaking, Steiner had attained at the point of his biography which we have reached. Now he made a discovery which was not known to him before. He discovered that this “living thinking” could awaken the chakrams from “above,” just as in the old way they could be stimulated from “below.” Thought which at first in the normal and natural psychosomatic process “died” on the place of the skull, but which through systematic exercises had risen again to the level of cosmic reality, could now impart life to the dormant organs of spiritual perception which have been implanted into man by Him who created him in His image. From about the turn of the century Steiner began to pursue this path with ever greater determination, and gradually developed the three forms of higher knowledge which he called Imagination: a higher seeing of the spiritual world in revealing images; Inspiration: a higher hearing of the spiritual world, through which it reveals its creative forces and its creative order; Intuition: the stage at which an intuitive penetration into the sphere of spiritual beings becomes possible.
With these unfolding powers Steiner now developed up to his death in 1925, in twenty-five momentous years, that truly vast and awe-inspiring body of spiritual and practical knowledge to which he gave the name “Anthroposophy.” (Incidentally, this word was first coined by Thomas Vaughan, a brother of the English mystical poet, Henry Vaughan, in the 17th century.) Anthroposophy literally means wisdom of man or the wisdom concerning man, but in his later years Steiner himself interpreted it on occasion as “an adequate consciousness of being human.” In this interpretation the moral achievement of Steiner's work, his mission, his message to a bewildered humanity which has lost “an adequate consciousness of being human,” to which man has become “the unknown,” is summed up. This monumental work lies before us today and is waiting to be fully discovered by our age — in some 170 books and in the published transcripts of nearly 6,000 lectures.
Three characteristic stages can be observed in Steiner's anthroposophical period. In a lecture given at the headquarters of the German Anthroposophical Society at Stuttgart (on February 6, 1923) he himself described these stages. Stage one (approximately 1901-1909): to lay the foundation for a Science of the Spirit within Western Civilization, with its center in the Mystery of Golgotha, as opposed to the purely traditional handing down of ancient oriental wisdom which is common to other organizations such as the Theosophical Society. Stage two (approximately 1910-1917): the application of the anthroposophical Science of the Spirit to various branches of science, art and practical life. As one of the milestones for the beginning of this second stage Steiner mentions the building of the Goetheanum, that architectural wonder (since destroyed by fire) in which his work as an artist had found its culmination. Stage three (approximately 1917-1925): first-hand descriptions of the spiritual world. During these twenty-five years of anthroposophical activity, Steiner's biography is identical with the history of the Anthroposophical Movement. His personal life is entirely dedicated to and absorbed in the life of his work.
A Biographical Sketch by Alfred Heidenreich (London, England -- August 1961)
Part 1 / Part 2 / Part 3 / Part 4 / Part 5 / Part 6 / Part 7/ Part 8 / Part 9
With these unfolding powers Steiner now developed up to his death in 1925, in twenty-five momentous years, that truly vast and awe-inspiring body of spiritual and practical knowledge to which he gave the name “Anthroposophy.” (Incidentally, this word was first coined by Thomas Vaughan, a brother of the English mystical poet, Henry Vaughan, in the 17th century.) Anthroposophy literally means wisdom of man or the wisdom concerning man, but in his later years Steiner himself interpreted it on occasion as “an adequate consciousness of being human.” In this interpretation the moral achievement of Steiner's work, his mission, his message to a bewildered humanity which has lost “an adequate consciousness of being human,” to which man has become “the unknown,” is summed up. This monumental work lies before us today and is waiting to be fully discovered by our age — in some 170 books and in the published transcripts of nearly 6,000 lectures.
Three characteristic stages can be observed in Steiner's anthroposophical period. In a lecture given at the headquarters of the German Anthroposophical Society at Stuttgart (on February 6, 1923) he himself described these stages. Stage one (approximately 1901-1909): to lay the foundation for a Science of the Spirit within Western Civilization, with its center in the Mystery of Golgotha, as opposed to the purely traditional handing down of ancient oriental wisdom which is common to other organizations such as the Theosophical Society. Stage two (approximately 1910-1917): the application of the anthroposophical Science of the Spirit to various branches of science, art and practical life. As one of the milestones for the beginning of this second stage Steiner mentions the building of the Goetheanum, that architectural wonder (since destroyed by fire) in which his work as an artist had found its culmination. Stage three (approximately 1917-1925): first-hand descriptions of the spiritual world. During these twenty-five years of anthroposophical activity, Steiner's biography is identical with the history of the Anthroposophical Movement. His personal life is entirely dedicated to and absorbed in the life of his work.
A Biographical Sketch by Alfred Heidenreich (London, England -- August 1961)
Part 1 / Part 2 / Part 3 / Part 4 / Part 5 / Part 6 / Part 7/ Part 8 / Part 9
