Rudolf Steiner at age 39 in 1900 However, this first literary success led to Steiner's call to the central Goethe Archives at Weimar, where despite his youth he now became one of the editors of the great Standard Edition (Sophien Ausgabe) of Goethe's Complete Works. This … occupation with Goethe, continued for seven years in Weimar, from 1889 to 1896, had a profound effect upon the unfolding of Steiner's own mind and philosophical consciousness. Goethe was the catalyst which released new mental and spiritual energies in Steiner s own personality. It was during these years that Steiner's fundamental philosophical works were conceived and written.
In 1886 he published An Epistemology of Goethe's World Conception. In 1891 his small concentrated thesis on Truth and Science earned him his Ph.D. In 1896 his comprehensive Philosophy of Spiritual Activity opened a completely new approach to the understanding of the human mind and the nature of thought. It represents the first really fresh step in philosophic thought and in the philosophic interpretation of the human consciousness since Kant. It is no wonder that in those years Steiner began to be looked upon in Germany as “the coming philosopher” upon whom before long the mantle of the dying Nietzsche would fall. But his genius led him in a different way.
In his thirty-sixth year — “nel mezzo del cammin di nostra vita,” as Dante calls it, Steiner moved to Berlin, and the next seven years were perhaps the most dramatic period in his life. His new position in Berlin was that of editor of the weekly, Das Magazin für Literatur, founded in 1832 (something equivalent to the London Saturday Review). He wrote the leading article and the dramatic reviews, occupying in Berlin a position somewhat similar to that of Bernard Shaw (who was five years his senior), with his weekly dramatic criticism in the Saturday Review. This assignment brought Steiner into close social contact with the intellectual and artistic élite of Berlin at the time, and for some years he pitched his tent among them. In the last years of his life, during rare moments of relaxation, he would at times tell stories of this exciting and often amusing period.
Side by side with these literary circles, or perhaps in polarity to them, Steiner was also drawn by objective interest and personal attraction into the camp of Haeckel and the militant monists. To move in this manner abreast of the spirit of the time would be a most interesting experience for anyone. For Steiner it was more. And I must now touch upon that side of his life about which I shall have to speak presently in greater detail. From childhood while for others such “being involved in this or that fashion of thought would be no more than an ideology,” for anyone standing in the spiritual world it means, as Steiner says in his autobiography, that “he is brought close to the spirit-beings who desire to invest a particular ideology with a totalitarian claim.” Steiner refers to his experience as a “Soul's Probation” which he had to undergo. (He later chose The Soul's Probation as the title of one of his Mystery Dramas.) He speaks of the “tempests” which during those years in Berlin raged in his soul, a rare expression in the otherwise very even and dispassionate style of his autobiography. At the end of those “forty days in the wilderness” — which were in fact four years — the thunderclouds lifted, the mist cleared, and he stood, to use his own phrase. “in solemn festival of knowledge before the Mystery of Golgotha.” He had come to a first-hand experience of Christ and His active presence in the evolution of the world.
A Biographical Sketch by Alfred Heidenreich (London, England -- August 1961)
Part 1 / Part 2 / Part 3 / Part 4 / Part 5 / Part 6 / Part 7/ Part 8 / Part 9
In 1886 he published An Epistemology of Goethe's World Conception. In 1891 his small concentrated thesis on Truth and Science earned him his Ph.D. In 1896 his comprehensive Philosophy of Spiritual Activity opened a completely new approach to the understanding of the human mind and the nature of thought. It represents the first really fresh step in philosophic thought and in the philosophic interpretation of the human consciousness since Kant. It is no wonder that in those years Steiner began to be looked upon in Germany as “the coming philosopher” upon whom before long the mantle of the dying Nietzsche would fall. But his genius led him in a different way.
In his thirty-sixth year — “nel mezzo del cammin di nostra vita,” as Dante calls it, Steiner moved to Berlin, and the next seven years were perhaps the most dramatic period in his life. His new position in Berlin was that of editor of the weekly, Das Magazin für Literatur, founded in 1832 (something equivalent to the London Saturday Review). He wrote the leading article and the dramatic reviews, occupying in Berlin a position somewhat similar to that of Bernard Shaw (who was five years his senior), with his weekly dramatic criticism in the Saturday Review. This assignment brought Steiner into close social contact with the intellectual and artistic élite of Berlin at the time, and for some years he pitched his tent among them. In the last years of his life, during rare moments of relaxation, he would at times tell stories of this exciting and often amusing period.
Side by side with these literary circles, or perhaps in polarity to them, Steiner was also drawn by objective interest and personal attraction into the camp of Haeckel and the militant monists. To move in this manner abreast of the spirit of the time would be a most interesting experience for anyone. For Steiner it was more. And I must now touch upon that side of his life about which I shall have to speak presently in greater detail. From childhood while for others such “being involved in this or that fashion of thought would be no more than an ideology,” for anyone standing in the spiritual world it means, as Steiner says in his autobiography, that “he is brought close to the spirit-beings who desire to invest a particular ideology with a totalitarian claim.” Steiner refers to his experience as a “Soul's Probation” which he had to undergo. (He later chose The Soul's Probation as the title of one of his Mystery Dramas.) He speaks of the “tempests” which during those years in Berlin raged in his soul, a rare expression in the otherwise very even and dispassionate style of his autobiography. At the end of those “forty days in the wilderness” — which were in fact four years — the thunderclouds lifted, the mist cleared, and he stood, to use his own phrase. “in solemn festival of knowledge before the Mystery of Golgotha.” He had come to a first-hand experience of Christ and His active presence in the evolution of the world.
A Biographical Sketch by Alfred Heidenreich (London, England -- August 1961)
Part 1 / Part 2 / Part 3 / Part 4 / Part 5 / Part 6 / Part 7/ Part 8 / Part 9
