Sophia Institute online Waldorf Certificate Studies Program
|
Course: Early Childhood Education"Waldorf Education is not a pedagogical system but an art - the art of awakening what is actually there within the human being." ~ Rudolf Steiner
The Waldorf early childhood educator works with the young child by creating a warm, beautiful and loving home-like environment, which is protective and secure, and where things happen in a predictable, rhythmic manner. Here she responds to the developing child in two basic ways: First, she engages in domestic, practical, and artistic activities the children can readily imitate (for example, baking, painting, gardening, and handicrafts), adapting the work to the changing seasons and festivals of the year. Secondly, the Waldorf kindergarten teacher nurtures the children’s power of imagination by telling carefully selected stories and by encouraging free play. This free or fantasy play, in which children act out scenarios of their own creation, helps them to experience many aspects of life more deeply. When toys are used, they are made of natural materials. Wood, cotton, wool, silk, shells, stones, pine cones and objects from nature that the children themselves have collected are used in play and to beautify the room. Sensory integration, eye-hand coordination, appreciating the beauty of language, sequencing, and other basic skills necessary for the foundation of academic learning are fostered in the kindergarten. In this truly loving, natural and creative environment, children are provided with a range of activities to prepare them for later learning and for life itself. |
Course Outline
Early Childhood Education 1
Lesson 1: You Are Your Child's First Teacher Lesson 2: Home Life as the Basis for All Learning Lesson 3: Birth to Three: Growing Down and Waking Up Lesson 4: Helping Your Baby's Development Lesson 5: Helping Your Toddler's Development Lesson 6: Rhythm in Home Life Lesson 7: Discipline and Other Parenting Issues Lesson 8: Reflection and Final Paper/Early Childhood Education 1 Early Childhood Education 2
Lesson 1: Nourishing Your Child's Imagination and Creative Play Lesson 2: Developing Your Child's Artistic Ability Lesson 3: Encouraging your Child's Musical Ability Lesson 4: Cognitive Development and Early Childhood Education Lesson 5: Common Parenting Question: From Television to Immunizations Lesson 6: Help for the Journey Lesson 7: Reflection and Final Paper/Early Childhood Education 2 |
What Makes Waldorf Early Childhood Education “Waldorf”?
Is there a Waldorf early childhood curriculum? Are there specific activities—puppet plays, circle games, watercolor painting, for example—that are essential to a Waldorf program? Are there certain materials and furnishings—lazured, soft-colored walls, handmade dolls, beeswax crayons, silk and other natural materials—that are necessary ingredients in a Waldorf setting? What makes Waldorf early childhood education “Waldorf”?
Rudolf Steiner spoke on a number of occasions about the experiences that are essential for the healthy development of the young child. These include:
• love and warmth
• an environment that nourishes the senses
• creative and artistic experiences
• meaningful adult activity to be imitated
• free, imaginative play
• protection of the forces of childhood
• gratitude, reverence, and wonder
• joy, humor, and happiness
• adult caregivers pursuing a path of inner development
Love and Warmth
Children who live in an atmosphere of love and warmth, and who have around them truly good examples to imitate, are living in their proper element. —Rudolf Steiner, The Education of the Child
Love and emotional warmth, rather than any particular early childhood program, create the basis for the child’s healthy development. These qualities should live between the adult caregiver and the child, in the children’s behavior toward one another, and among the adults in the early childhood center. When Rudolf Steiner visited the classes of the first Waldorf school, he often asked the children, “Do you love your teacher?” Children are also served if this love and warmth exist in the relationships between the teachers and the parents, between the early childhood teachers and the rest of the school, and in the surrounding community.
An Environment that Nourishes the Senses
The essential task of the kindergarten teacher is to create the proper physical environment around the children. “Physical environment” must be understood in the widest sense imaginable. It includes not just what happens around the children in the material sense, but everything that occurs in their environment, everything that can be perceived by their senses, that can work on the inner powers of the children from the surrounding physical space. —Rudolf Steiner, The Education of the Child
Early learning is profoundly connected to the child’s own physical body and sensory experience. Everything the young child sees, hears, and touches has an effect. Thus a clean, orderly, beautiful, quiet setting is essential. The physical environment, both indoors and outdoors, should provide varied and nourishing opportunities for self-education—experiences in touch, balance, lively and joyful movement, and also inward listening. The children should experience large-group, small-group, and solitary activities. The teacher, in integrating diverse elements into a harmonious and meaningful environment, provides surroundings that are accessible to the child’s understanding, feeling, and active will. The care, love, and intention expressed through the outer materials and furnishings of the classes are experienced unconsciously by the child. The child experiences the immediate environment as ensouled and nurturing. The adult shapes the temporal environment as well as the spatial. Through a rhythmic schedule, in which the same thing happens at the same time on a daily, weekly, or monthly basis, the child gains a sense of security and confidence in the world. Also, the different activities of the day should take place in a comfortable flow with smooth transitions.
Creative, Artistic Experience
In order to become true educators, we must be able to see the truly aesthetic element in the work, to bring an artistic quality into our tasks. . . . [I]f we bring this aesthetic element, then we begin to come closer to what the child wills out of its own nature. —Rudolf Steiner, A Modern Art of Education
In the early childhood class, the art of education is the art of living. The teacher is an artist in how she perceives and relates to the children and to the activities of daily life. She orchestrates and choreographs the rhythms of each day, each week, and each season in such a way that the children can breathe freely in a living structure. In addition, the teacher offers the children opportunities for artistic experiences in singing and music, in movement and gesture—through eurythmy and rhythmic games—and in creative speech and language—through verses, poetry, and stories. The children model with beeswax, draw, and do watercolor painting. Puppet and marionette shows put on by the teacher are an important element in the life of the kindergarten.
Meaningful Adult Activity as Examples for the Child’s Imitation
The task of the kindergarten teacher is to adapt the practical activities of daily life so that they are suitable for the child’s imitation through play. . . . The activities of children in kindergarten must be derived directly from life itself rather than being “thought out” by the intellectualized culture of adults. In the kindergarten, the most important thing is to give children the opportunity to directly imitate life itself. —Rudolf Steiner, The Child’s Changing Consciousness
Children do not learn through instruction or admonition but though imitation. Good sight will develop if the environment has the proper conditions of light and color, while in the brain and blood circulation, the physical foundations will be laid for a healthy sense of morality if children witness moral actions in their surroundings. —Rudolf Steiner, The Education of the Child
Real, meaningful work with a purpose, adjusted to the needs of the child, is in accordance with the child’s natural and inborn need for movement, and is an enormously significant educational activity. The teacher focuses on the meaningful activities that nurture life in the in the classroom “home,” such as cooking and baking, gardening, doing laundry and cleaning, creating and caring for the materials in the immediate environment, and taking care of the bodily needs of the children. This directed attention of the teacher creates an atmosphere of freedom in which the individuality of each child can be active. It is not intended just that the children copy the outer movements and actions of the adult, but that they experience also the inner attitude—the devotion, care, sense of purpose, focus, and creative spirit of the adult.
Free, Imaginative Play
In the child’s play activity, we can only provide the conditions for education. What is gained through play, through everything that cannot be determined by fixed rules, stems fundamentally from the self-activity of the child, The real educational value of play lives in the fact that we ignore our rules and regulations, our educational theory, and allow the child free rein. —Rudolf Steiner, Self Education in the Light of Anthroposophy
In a seemingly contradictory indication, Rudolf Steiner also said: Giving direction and guidance to play is one of the essential tasks of sensible education, which is to say an art of education that is right for humanity. . . . The early childhood educator must school her observation in order to develop an artistic eye, to detect the individual quality of each child’s play. —Rudolf Steiner, Lecture of February 24, 1921 in Utrecht, The Netherlands
Little children learn through play. They approach play in an entirely individual way, out of their entirely individual ways, out of their unique configuration of soul and spirit, and out of their unique experiences of the world in which they live. The manner in which a child plays may offer a picture of how he will take up his destiny as an adult. The task of the teacher is to create an environment that supports the possibility of healthy play. This environment includes the physical surroundings, furnishings, and play materials; the social environment of activities and social interactions; and the inner/spiritual environment of thoughts, intentions, and imaginations held by the adults.
Protection for the Forces of Childhood
Although it is highly necessary that each person should be fully awake in later life, the child must be allowed to remain as long as possible in the peaceful, dreamlike condition of pictorial imagination in which his early years of life are passed. For if we allow his organism to grow strong in this nonintellectual way, he will rightly develop in later life the intellectuality needed in the world today. —Rudolf Steiner, A Modern Art of Education
The lively, waking dream of the little child’s consciousness must be allowed to thrive in the early childhood group. This means that the teacher refrains as much as possible from verbal instruction. Instead, her gestures and actions provide a model for the child’s imitation. Familiar daily rhythms and activities provide a context where the need for verbal instruction is reduced. Simple, archetypal imagery in stories, songs, and games provides experiences that the children can internalize but that do not require intellectual or critical reflection or explanation.
An Atmosphere of Gratitude, Reverence, and Wonder
An atmosphere of gratitude should grow naturally in children through merely witnessing the gratitude the adults feel as they receive what is freely given by others, and in how they express this gratitude. If a child says “thank you” very naturally—not in response to the urging of others, but simply through imitating— something has been done that will greatly benefit the child’s whole life. Out of this an all-embracing gratitude will develop toward the whole world. This cultivation of gratitude is of paramount importance. —Rudolf Steiner, The Child’s Changing Consciousness
Out of these early, all-pervading experiences of gratitude, the first tender capacity for love, which is deeply embedded in each and every child, begins to sprout in earthly life.
If, during the first period of life, we create an atmosphere of gratitude around the children, then out of this gratitude toward the world, toward the entire universe, and also out of thankfulness for being able to be in this world, a profound and warm sense of devotion will arise . . . upright, honest, and true. —Rudolf Steiner, The Child’s Changing Consciousness
This is the basis for what will become a capacity for deep, intimate love and commitment in later life, for dedication and loyalty, for true admiration of others, for fervent spiritual or religious devotion, and for placing oneself wholeheartedly in the service of the world.
Joy, Humor, and Happiness
The joy of children in and with their environment must therefore be counted among the forces that build and shape the physical organs. They need teachers who look and act with happiness and, most of all, with honest, unaffected love. Such a love that streams, as it were, with warmth through the physical environment of the children may be said to literally “hatch out” the forms of the physical organs. —Rudolf Steiner, The Education of the Child
If you make a surly face so that a child gets the impression you are a grumpy person, this harms the child for the rest of his life. What kind of school plan you make is neither here nor there; what matters is what sort of person you are. —Rudolf Steiner The Kingdom of Childhood
The teacher’s earnestness about her work and her serious striving must be balanced with humor and a demeanor that bespeaks happiness. There must be moments of humor and delight in the classroom every day.
Adult Caregivers on a Path of Inner Development
For the small child before the change of teeth, the most important thing in education is the teacher’s own being. —Rudolf Steiner, Essentials of Education
Just think what feelings arise in the soul of the early childhood educator who realizes: What I accomplish with this child, I accomplish for the grown-up person in his twenties. What matters is not so much a knowledge of abstract educational principles or pedagogical rules. . . . [W]hat does matter is that a deep sense of responsibility develops in [the teacher’s heart and mind] and that this affects her or his worldview and the way she or he stands in life. —Rudolf Steiner, Education in the Face of the Present-Day World Situation, Lecture of June 10, 1920
Here we come to the spiritual environment of the early childhood setting: the thoughts, attitudes, and imaginations living in the adult who cares for the children. This invisible realm that lies behind the outer actions of the teacher has a profound influence on the child’s development. The spiritual environment includes recognition of the child as a threefold being—of body, soul, and spirit—on a path of evolutionary development through repeated Earth lives. This recognition provides a foundation for the daily activities in the kindergarten, and for the relationship between adult and child. Such an understanding of the nature and destiny of the human comes out of the inner life of the adult, the life of the individual Ego. This is a realm that is largely hidden, and hence is difficult to observe directly and to evaluate objectively. Yet ultimately this realm may affect the development of the children most profoundly. It is not merely our outer activity that influence the growing child. What lies behind and is expressed through this outer activity also is crucial. Ultimately, the most profound influence on the child is who we are as human beings—and who we are becoming and how.
Conclusion
The “essentials” described here are qualitative in nature. For the most part, they are not part of a body of concrete “best practices.” Instead, they concern inner qualities and attributes of the teacher that foster healthy development in young children. These qualities can come to expression in a wide variety of ways, according to
• the age range of the children in the group and their individual characteristics;
• the nature of the particular program—a kindergarten, playgroup, or extended care program; and
• the environment and surroundings—urban or rural, home or school or child care center.
Many practices that have come to be associated with Waldorf/Steiner early childhood education—certain daily rhythms and rituals, play materials, songs, stories, even the colors of the walls, the dress of the adults, and the menu for snack—may be mistakenly taken as essentials. The results of such assumptions can be surprising, even disturbing—a “King Winter” nature table appearing in a tropical climate in “wintertime,” or dolls with pink skin and yellow hair in a kindergarten where all the children are brown-skinned and black-haired. Such practices may express a tendency toward a doctrinal or dogmatic approach that is out of touch with the realities of the immediate situation and instead imposes something from “outside.” There is a parallel concern at the other end of the spectrum from the doctrinal or dogmatic. The freedom that Waldorf Education offers each individual teacher to determine the practices of her early childhood program can be misinterpreted to mean that “anything goes,” according to personal preference and style. Here too, there is the danger that the developmental realities and needs of the children are not sufficiently taken into consideration. Each of these one-sided approaches may be injurious to the development of the children. As Waldorf early childhood educators, we are constantly seeking a middle, universally human path between polarities. Rudolf Steiner’s advice to the first Waldorf kindergarten teacher, Elizabeth Grunelius, in the early 1920s, can be paraphrased as follows: "Observe the children. Actively meditate. Follow your intuitions. Work so that all your actions are worthy of imitation." Today, those of us who work with young children in a Waldorf environment are challenged to engage in a constant process of renewal. We must actively observe the children in our care, carry them in our meditations, and seek to work consciously and artistically to create the experiences that will serve their development. Our devotion to this task awakens us to the importance of self-education and transformation in the context of community. Our ongoing study of child and human development, our own artistic and meditative practices, and our work with Anthroposophy, independently and together with others, become essential elements for the practice of Waldorf early childhood education. Here we can come to experience that we are not alone on this journey. We are supported through our encounters with one another other and with our sharing of insights, experience, and knowledge. We are helped also by those beings spiritual beings who are committed to our continued development and to the renewal of culture that Waldorf Education seeks to serve.
Rudolf Steiner spoke on a number of occasions about the experiences that are essential for the healthy development of the young child. These include:
• love and warmth
• an environment that nourishes the senses
• creative and artistic experiences
• meaningful adult activity to be imitated
• free, imaginative play
• protection of the forces of childhood
• gratitude, reverence, and wonder
• joy, humor, and happiness
• adult caregivers pursuing a path of inner development
Love and Warmth
Children who live in an atmosphere of love and warmth, and who have around them truly good examples to imitate, are living in their proper element. —Rudolf Steiner, The Education of the Child
Love and emotional warmth, rather than any particular early childhood program, create the basis for the child’s healthy development. These qualities should live between the adult caregiver and the child, in the children’s behavior toward one another, and among the adults in the early childhood center. When Rudolf Steiner visited the classes of the first Waldorf school, he often asked the children, “Do you love your teacher?” Children are also served if this love and warmth exist in the relationships between the teachers and the parents, between the early childhood teachers and the rest of the school, and in the surrounding community.
An Environment that Nourishes the Senses
The essential task of the kindergarten teacher is to create the proper physical environment around the children. “Physical environment” must be understood in the widest sense imaginable. It includes not just what happens around the children in the material sense, but everything that occurs in their environment, everything that can be perceived by their senses, that can work on the inner powers of the children from the surrounding physical space. —Rudolf Steiner, The Education of the Child
Early learning is profoundly connected to the child’s own physical body and sensory experience. Everything the young child sees, hears, and touches has an effect. Thus a clean, orderly, beautiful, quiet setting is essential. The physical environment, both indoors and outdoors, should provide varied and nourishing opportunities for self-education—experiences in touch, balance, lively and joyful movement, and also inward listening. The children should experience large-group, small-group, and solitary activities. The teacher, in integrating diverse elements into a harmonious and meaningful environment, provides surroundings that are accessible to the child’s understanding, feeling, and active will. The care, love, and intention expressed through the outer materials and furnishings of the classes are experienced unconsciously by the child. The child experiences the immediate environment as ensouled and nurturing. The adult shapes the temporal environment as well as the spatial. Through a rhythmic schedule, in which the same thing happens at the same time on a daily, weekly, or monthly basis, the child gains a sense of security and confidence in the world. Also, the different activities of the day should take place in a comfortable flow with smooth transitions.
Creative, Artistic Experience
In order to become true educators, we must be able to see the truly aesthetic element in the work, to bring an artistic quality into our tasks. . . . [I]f we bring this aesthetic element, then we begin to come closer to what the child wills out of its own nature. —Rudolf Steiner, A Modern Art of Education
In the early childhood class, the art of education is the art of living. The teacher is an artist in how she perceives and relates to the children and to the activities of daily life. She orchestrates and choreographs the rhythms of each day, each week, and each season in such a way that the children can breathe freely in a living structure. In addition, the teacher offers the children opportunities for artistic experiences in singing and music, in movement and gesture—through eurythmy and rhythmic games—and in creative speech and language—through verses, poetry, and stories. The children model with beeswax, draw, and do watercolor painting. Puppet and marionette shows put on by the teacher are an important element in the life of the kindergarten.
Meaningful Adult Activity as Examples for the Child’s Imitation
The task of the kindergarten teacher is to adapt the practical activities of daily life so that they are suitable for the child’s imitation through play. . . . The activities of children in kindergarten must be derived directly from life itself rather than being “thought out” by the intellectualized culture of adults. In the kindergarten, the most important thing is to give children the opportunity to directly imitate life itself. —Rudolf Steiner, The Child’s Changing Consciousness
Children do not learn through instruction or admonition but though imitation. Good sight will develop if the environment has the proper conditions of light and color, while in the brain and blood circulation, the physical foundations will be laid for a healthy sense of morality if children witness moral actions in their surroundings. —Rudolf Steiner, The Education of the Child
Real, meaningful work with a purpose, adjusted to the needs of the child, is in accordance with the child’s natural and inborn need for movement, and is an enormously significant educational activity. The teacher focuses on the meaningful activities that nurture life in the in the classroom “home,” such as cooking and baking, gardening, doing laundry and cleaning, creating and caring for the materials in the immediate environment, and taking care of the bodily needs of the children. This directed attention of the teacher creates an atmosphere of freedom in which the individuality of each child can be active. It is not intended just that the children copy the outer movements and actions of the adult, but that they experience also the inner attitude—the devotion, care, sense of purpose, focus, and creative spirit of the adult.
Free, Imaginative Play
In the child’s play activity, we can only provide the conditions for education. What is gained through play, through everything that cannot be determined by fixed rules, stems fundamentally from the self-activity of the child, The real educational value of play lives in the fact that we ignore our rules and regulations, our educational theory, and allow the child free rein. —Rudolf Steiner, Self Education in the Light of Anthroposophy
In a seemingly contradictory indication, Rudolf Steiner also said: Giving direction and guidance to play is one of the essential tasks of sensible education, which is to say an art of education that is right for humanity. . . . The early childhood educator must school her observation in order to develop an artistic eye, to detect the individual quality of each child’s play. —Rudolf Steiner, Lecture of February 24, 1921 in Utrecht, The Netherlands
Little children learn through play. They approach play in an entirely individual way, out of their entirely individual ways, out of their unique configuration of soul and spirit, and out of their unique experiences of the world in which they live. The manner in which a child plays may offer a picture of how he will take up his destiny as an adult. The task of the teacher is to create an environment that supports the possibility of healthy play. This environment includes the physical surroundings, furnishings, and play materials; the social environment of activities and social interactions; and the inner/spiritual environment of thoughts, intentions, and imaginations held by the adults.
Protection for the Forces of Childhood
Although it is highly necessary that each person should be fully awake in later life, the child must be allowed to remain as long as possible in the peaceful, dreamlike condition of pictorial imagination in which his early years of life are passed. For if we allow his organism to grow strong in this nonintellectual way, he will rightly develop in later life the intellectuality needed in the world today. —Rudolf Steiner, A Modern Art of Education
The lively, waking dream of the little child’s consciousness must be allowed to thrive in the early childhood group. This means that the teacher refrains as much as possible from verbal instruction. Instead, her gestures and actions provide a model for the child’s imitation. Familiar daily rhythms and activities provide a context where the need for verbal instruction is reduced. Simple, archetypal imagery in stories, songs, and games provides experiences that the children can internalize but that do not require intellectual or critical reflection or explanation.
An Atmosphere of Gratitude, Reverence, and Wonder
An atmosphere of gratitude should grow naturally in children through merely witnessing the gratitude the adults feel as they receive what is freely given by others, and in how they express this gratitude. If a child says “thank you” very naturally—not in response to the urging of others, but simply through imitating— something has been done that will greatly benefit the child’s whole life. Out of this an all-embracing gratitude will develop toward the whole world. This cultivation of gratitude is of paramount importance. —Rudolf Steiner, The Child’s Changing Consciousness
Out of these early, all-pervading experiences of gratitude, the first tender capacity for love, which is deeply embedded in each and every child, begins to sprout in earthly life.
If, during the first period of life, we create an atmosphere of gratitude around the children, then out of this gratitude toward the world, toward the entire universe, and also out of thankfulness for being able to be in this world, a profound and warm sense of devotion will arise . . . upright, honest, and true. —Rudolf Steiner, The Child’s Changing Consciousness
This is the basis for what will become a capacity for deep, intimate love and commitment in later life, for dedication and loyalty, for true admiration of others, for fervent spiritual or religious devotion, and for placing oneself wholeheartedly in the service of the world.
Joy, Humor, and Happiness
The joy of children in and with their environment must therefore be counted among the forces that build and shape the physical organs. They need teachers who look and act with happiness and, most of all, with honest, unaffected love. Such a love that streams, as it were, with warmth through the physical environment of the children may be said to literally “hatch out” the forms of the physical organs. —Rudolf Steiner, The Education of the Child
If you make a surly face so that a child gets the impression you are a grumpy person, this harms the child for the rest of his life. What kind of school plan you make is neither here nor there; what matters is what sort of person you are. —Rudolf Steiner The Kingdom of Childhood
The teacher’s earnestness about her work and her serious striving must be balanced with humor and a demeanor that bespeaks happiness. There must be moments of humor and delight in the classroom every day.
Adult Caregivers on a Path of Inner Development
For the small child before the change of teeth, the most important thing in education is the teacher’s own being. —Rudolf Steiner, Essentials of Education
Just think what feelings arise in the soul of the early childhood educator who realizes: What I accomplish with this child, I accomplish for the grown-up person in his twenties. What matters is not so much a knowledge of abstract educational principles or pedagogical rules. . . . [W]hat does matter is that a deep sense of responsibility develops in [the teacher’s heart and mind] and that this affects her or his worldview and the way she or he stands in life. —Rudolf Steiner, Education in the Face of the Present-Day World Situation, Lecture of June 10, 1920
Here we come to the spiritual environment of the early childhood setting: the thoughts, attitudes, and imaginations living in the adult who cares for the children. This invisible realm that lies behind the outer actions of the teacher has a profound influence on the child’s development. The spiritual environment includes recognition of the child as a threefold being—of body, soul, and spirit—on a path of evolutionary development through repeated Earth lives. This recognition provides a foundation for the daily activities in the kindergarten, and for the relationship between adult and child. Such an understanding of the nature and destiny of the human comes out of the inner life of the adult, the life of the individual Ego. This is a realm that is largely hidden, and hence is difficult to observe directly and to evaluate objectively. Yet ultimately this realm may affect the development of the children most profoundly. It is not merely our outer activity that influence the growing child. What lies behind and is expressed through this outer activity also is crucial. Ultimately, the most profound influence on the child is who we are as human beings—and who we are becoming and how.
Conclusion
The “essentials” described here are qualitative in nature. For the most part, they are not part of a body of concrete “best practices.” Instead, they concern inner qualities and attributes of the teacher that foster healthy development in young children. These qualities can come to expression in a wide variety of ways, according to
• the age range of the children in the group and their individual characteristics;
• the nature of the particular program—a kindergarten, playgroup, or extended care program; and
• the environment and surroundings—urban or rural, home or school or child care center.
Many practices that have come to be associated with Waldorf/Steiner early childhood education—certain daily rhythms and rituals, play materials, songs, stories, even the colors of the walls, the dress of the adults, and the menu for snack—may be mistakenly taken as essentials. The results of such assumptions can be surprising, even disturbing—a “King Winter” nature table appearing in a tropical climate in “wintertime,” or dolls with pink skin and yellow hair in a kindergarten where all the children are brown-skinned and black-haired. Such practices may express a tendency toward a doctrinal or dogmatic approach that is out of touch with the realities of the immediate situation and instead imposes something from “outside.” There is a parallel concern at the other end of the spectrum from the doctrinal or dogmatic. The freedom that Waldorf Education offers each individual teacher to determine the practices of her early childhood program can be misinterpreted to mean that “anything goes,” according to personal preference and style. Here too, there is the danger that the developmental realities and needs of the children are not sufficiently taken into consideration. Each of these one-sided approaches may be injurious to the development of the children. As Waldorf early childhood educators, we are constantly seeking a middle, universally human path between polarities. Rudolf Steiner’s advice to the first Waldorf kindergarten teacher, Elizabeth Grunelius, in the early 1920s, can be paraphrased as follows: "Observe the children. Actively meditate. Follow your intuitions. Work so that all your actions are worthy of imitation." Today, those of us who work with young children in a Waldorf environment are challenged to engage in a constant process of renewal. We must actively observe the children in our care, carry them in our meditations, and seek to work consciously and artistically to create the experiences that will serve their development. Our devotion to this task awakens us to the importance of self-education and transformation in the context of community. Our ongoing study of child and human development, our own artistic and meditative practices, and our work with Anthroposophy, independently and together with others, become essential elements for the practice of Waldorf early childhood education. Here we can come to experience that we are not alone on this journey. We are supported through our encounters with one another other and with our sharing of insights, experience, and knowledge. We are helped also by those beings spiritual beings who are committed to our continued development and to the renewal of culture that Waldorf Education seeks to serve.
Early Childhood Education 2 - Lesson 7
Tasks and Assignments for Early Childhood Education 2 - Lesson 7
Please reflect on the study material/chapters for Early Childhood Education 2. Feel free to use additional resources as wanted and needed. Please complete the following:
Having studied chapters 8 through 13 of You Are Your Child's First Teacher please create a final paper for the course Early Childhood Education 2. Please choose a field of interest to you or dedicate the paper to an aspect of the many subjects addressed in the book You Are Your Child's First Teacher.Include your own genuine ideas. The paper needs to address a theme relating to Early Childhood Teaching. Examples: Imagination and Creative Play for the preschool/kindergarten or Circle Games and Activities for preschool/kindergarten, etc. Please see below for additional guidelines concerning the final paper. Submit the completed assignment via the submission form or via email. |
|
Study Material for Early Childhood Education 2 - Lesson 7
You Are Your Child's First TeacherCΗΑΡΤΕR 8 through CHAPTER 13
Chapter 8: Nourishing Your Child's Imagination and Creative Play Chapter 9: Developing Your Child's Artistic Ability Chapter 10: Encouraging your Child's Musical Ability Chapter 11: Cognitive Development and Early Childhood Education Chapter 12: Common Parenting Question: From Television to Immunizations Chapter 13: Help for the Journey/Appendix Bibliography - You Are Your Child's First Teacher |
Guidelines for Writing a Scientific (Scholarly) Paper
An effective scientific paper should include and reflect genuine research and should be presented in the following format:
A. Abstract/Summary: An abstract or summary is a succinct (one paragraph) summary of the entire paper. The abstract should briefly describe the question posed in the paper, the methods used to answer this question, the results obtained, and the conclusions. It should be possible to determine the major points of a paper by reading the abstract. Although it is located at the beginning of the paper, it is easiest to write the abstract after the paper is completed.
B. Introduction: The Introduction should describe the question tested by the experiments or research described in the paper, and explain why this is an interesting or important question, further describe the approach used in sufficient detail that a reader who is not familiar with the technique will understand what was done and why, and finally very briefly mention the conclusion of the paper.
C. Materials and Methods: The Materials and Methods section should succinctly describe what was actually done. It should include a description of the techniques used so someone could figure out what experiments or research were actually done. The details of a published protocol do not need to be reproduced in the text but an appropriate reference should be cited – e.g., simply indicate “were done as described by Hughes et al. (4).” Any changes from the published protocol should be described. It is not appropriate to indicate volumes of solutions added – instead indicate the relevant information about the experiment or research such as methods used, etc.
D. Results: Begin each paragraph with an opening sentence that tells the reader what question is being tested in the experiments or research described in that paragraph.
E. Conclusion: The conclusion should be the final chapter and include a summary of the results and conclusions reached concerning the research project.
F. Table of Content: A table of content should be included either at the beginning of the paper (preferable) or at the end of the paper. The table of content should clearly list the different chapters and titles thereof, abstract, introduction, citations, etc.
G. Illustrations and Images: Depending on the subject matter, illustrations and images should be included with the different chapters of the paper.
H. Resources: A listing of citations, quotes and sources including literature used should be placed at the end of the paper.
A. Abstract/Summary: An abstract or summary is a succinct (one paragraph) summary of the entire paper. The abstract should briefly describe the question posed in the paper, the methods used to answer this question, the results obtained, and the conclusions. It should be possible to determine the major points of a paper by reading the abstract. Although it is located at the beginning of the paper, it is easiest to write the abstract after the paper is completed.
B. Introduction: The Introduction should describe the question tested by the experiments or research described in the paper, and explain why this is an interesting or important question, further describe the approach used in sufficient detail that a reader who is not familiar with the technique will understand what was done and why, and finally very briefly mention the conclusion of the paper.
C. Materials and Methods: The Materials and Methods section should succinctly describe what was actually done. It should include a description of the techniques used so someone could figure out what experiments or research were actually done. The details of a published protocol do not need to be reproduced in the text but an appropriate reference should be cited – e.g., simply indicate “were done as described by Hughes et al. (4).” Any changes from the published protocol should be described. It is not appropriate to indicate volumes of solutions added – instead indicate the relevant information about the experiment or research such as methods used, etc.
D. Results: Begin each paragraph with an opening sentence that tells the reader what question is being tested in the experiments or research described in that paragraph.
E. Conclusion: The conclusion should be the final chapter and include a summary of the results and conclusions reached concerning the research project.
F. Table of Content: A table of content should be included either at the beginning of the paper (preferable) or at the end of the paper. The table of content should clearly list the different chapters and titles thereof, abstract, introduction, citations, etc.
G. Illustrations and Images: Depending on the subject matter, illustrations and images should be included with the different chapters of the paper.
H. Resources: A listing of citations, quotes and sources including literature used should be placed at the end of the paper.